% ŵ (UTF-8 test character: double-u circumflex) % “ = 0147 (left formatted quote) % ” = 0148 (right formatted quote) % — = 0151 (dash) % – = 0150 (shorter dash) % © = 0169 (copyright symbol) % ® = 0174 (registered copyright symbol) \version "2.10.29" #(ly:set-option 'point-and-click #f) \paper { indent = 0.0 line-width = 185 \mm %between-system-space = 0.1 \mm %between-system-padding = #1 %ragged-bottom = ##t %top-margin = 0.1 \mm %bottom-margin = 0.1 \mm %foot-separation = 0.1 \mm %head-separation = 0.1 \mm %after-title-space = 0.1 \mm %before-title-space = 0.1 \mm %paper-height = 32 \cm %print-page-number = ##t %print-first-page-number = ##t %between-title-space = 0.1 \mm %ragged-last-bottom %horizontal-shift %system-count %left-margin %paper-width %printallheaders %systemSeparatorMarkup } \header { %dedication = "" title = "O Jesus, When I Think of Thee" %subtitle = "" %subsubtitle = "" % poet = \markup{ \italic Text: } % composer = \markup{ \italic Music: } %meter = "" %opus = "" %arranger = "" %instrument = "" %piece = \markup{\null \null \null \null \null \null \null \null \null \null \null \null \null \italic Slowly \null \null \null \null \null \note #"4" #1.0 = 70-100} %breakbefore %copyright = "" tagline = "" } global = { \override Staff.TimeSignature #'style = #'() \time 4/4 \key f \major \override Rest #'direction = #'0 \override MultiMeasureRest #'staff-position = #0 } sopWords = \lyricmode { \override Score . LyricText #'font-size = #-1 \override Score . LyricHyphen #'minimum-distance = #1 \override Score . LyricSpace #'minimum-distance = #0.8 % \override Score . LyricText #'font-name = #"Gentium" % \override Score . LyricText #'self-alignment-X = #-1 \set stanza = "1. " %\set vocalName = "Men/Women/Unison/SATB" O Je -- sus, when I think of Thee, Thy man -- ger, cross, and throne, My spi -- rit trusts ex -- ult -- ing -- ly In Thee, and Thee a -- lone. } sopWordsTwo = \lyricmode { \set stanza = "2. " I see Thee in Thy weak -- ness first; Then, glo -- rious from Thy shame, I see Thee death's strong fet -- ters burst, And reach heav'ns might -- iest name. } sopWordsThree = \lyricmode { \set stanza = "3. " For me Thou didst be -- come a man, For me didst weep and die; For me ach -- ieve Thy won -- drous plan, For me as -- cend on high. } sopWordsFour = \lyricmode { \set stanza = "4. " O let me share Thy ho -- ly birth, Thy faith, Thy death to sin! And, strong a -- midst the toils of earth, My heav'n -- ly life be -- gin. } sopWordsFive = \lyricmode { \set stanza = "5. " Then shall I know what means the strain Tri -- um -- phant of Saint Paul: “To live is Christ, to die is gain;” “Christ is my all in all.” } sopWordsSix = \lyricmode { \set stanza = "6. " } sopWordsSeven = \lyricmode { \set stanza = "7. " } altoWords = \lyricmode { } tenorWords = \lyricmode { } bassWords = \lyricmode { } \score { %\transpose es' d' << \new Staff << %\set Score.midiInstrument = "Orchestral Strings" %\set Score.midiInstrument = "Choir Aahs" \new Voice = "sopranos" { \voiceOne \global %\override Score.MetronomeMark #'transparent = ##t \override Score.MetronomeMark #'stencil = ##f \tempo 4 = 120 \partial 4 f'8 (g') a'4 a' a' g'8 (a') bes'4 bes' bes' g'8 (a') bes'4 bes' bes' c''8 (bes') a'2. \bar "" \break a'8 (bes') c''4 c'' c'' f''8 (e'') d''4 d'' d'' a'8 (bes') c''4 c'' bes' a'8 (g') f'2. \bar "|." } \new Voice = "altos" { \voiceTwo f'4 f' g' f' d' g' g' g' g'8 (f') e'4 e' e' e' f'2. f'8 (e') f'4 bes'4 a' f' f' fis' g' f' f' f' f' e' f'2. } \new Lyrics = sopranos { s1 } \new Lyrics = sopranosTwo { s1 } \new Lyrics = sopranosThree { s1 } \new Lyrics = sopranosFour { s1 } \new Lyrics = sopranosFive { s1 } %\new Lyrics = sopranosSix { s1 } %\new Lyrics = sopranosSeven { s1 } %\new Lyrics = altos { s1 } %\new Lyrics = tenors { s1 } %\new Lyrics = basses { s1 } >> \new Staff << \clef bass \new Voice = "tenors" { \voiceThree \global a8 (bes) c'4 cis' d' d' d' des' c' c' c' c' g c' c'2. c'4 c'4 c' c' c' bes a g a a a g c'8 (bes) a2. } \new Voice = "basses" { \voiceFour f4 f e d bes8 (a) g4 f e e8 (d) c4 c c c f2. f8 (g) a4 g f a, bes, c bes, d c c c c f,2. } >> \context Lyrics = sopranos \lyricsto sopranos \sopWords \context Lyrics = sopranosTwo \lyricsto sopranos \sopWordsTwo \context Lyrics = sopranosThree \lyricsto sopranos \sopWordsThree \context Lyrics = sopranosFour \lyricsto sopranos \sopWordsFour \context Lyrics = sopranosFive \lyricsto sopranos \sopWordsFive %\context Lyrics = sopranosSix \lyricsto sopranos \sopWordsSix %\context Lyrics = sopranosSeven \lyricsto sopranos \sopWordsSeven %\context Lyrics = altos \lyricsto altos \altoWords %\context Lyrics = tenors \lyricsto tenors \tenorWords %\context Lyrics = basses \lyricsto basses \bassWords >> \midi { } \layout { \context { \Lyrics \override VerticalAxisGroup #'minimum-Y-extent = #'(0 . 0) } } } \markup { \column { \line{\italic Text: George Washington Bethune (1805–1862), 1847} \line{\italic Music: G. W. Bird, 1900} %\line{\italic Arrangement: } %\line{\italic {Words and Music:} } \line{\italic {Tune Name:} Hulme} \line{\italic Source: The Church Hymnary: A Collection of Hymns and Tunes for Public Worship, 1900 (p. 108; no. 220)} %\line{\italic {Poetic Meter:} } } }